AN INSTANT #2 SUNDAY TIMES BESTSELLER 'A fascinujúca a crucial insight do show, even as humanity pohyby zdola do final frontier, ktoré by influenced by z geografie z priestoru. Marshall has done it again!' Profesor Lewis Dartnell, autor Bing Human Space: biggest geopolitical story coming century - nový z multi-million-copy international bestselling autor Prisoners Geography Spy satelity orbiting the Moon. Space metals worth billions. Humans on Mars within our lifetimes. This isn't science fiction. It's astropolitics. We're entering a new space race - and it could revolutionise life on Earth. Space: new frontier, a wild and lawless place. It is already central k komunikácii, economics, military strategy and international relations on Earth. Now, it is latest arena pre human exploration, exploitation - and, possibly, conquest. We're heading up and out, and we're taking our power struggles with us. Čína, USA a Rusko sú vedúcou cestou. Od fyzických teritórií a zdrojov do satelitov, weaponry a strategických škôl, geopolitiky sú dôležité na lyžiach nad tým, ako sú nižšie. Ak ste videli, že keď ľudia chodia späť do mesiaca, ktorý bude benefit z výučby alebo čo je priestor boja o boj proti tomu, ako sú tu. s celým insight a wit, že má Tim Marshall, UK's most popular writer on geopolitics, this gripping kniha ukazuje, ako sme tu a kde sa going, covering great-power rivalry; technológie; commerce; combat in space; and what it means for all of us down here on Earth. To je essential reading on power, politics and the future of humanity. Praise for THE FUTURE OF GEOGRAPHY: 'Very accessible and allows author to lead the reader on voyage of galactic discovery' Robert Verkaik, Mail on Sunday '[An] engaging exploration power politics in space' z planétárnych politík' Bryan Appleyard, The Sunday Times '[Tim's] prose is brisk in pace a refreshingly crystalline v jeho clarity, affording a vysoko readable lesson v historických geopolitických... hlboko mysliac' BBC engaging writer, good at explaining the science as well as politics, and with eye for telling fact' Lawrence Freedman, The New Statesman